Figurative mosaics have a very specific and sensory appeal – they reduce the aesthetic information contained in an image into something that contains only the necessary, prime features, the lines and contours of a face and the most contrasting shadows, for example. The mathematical mosaics, on the other hand, coat the surface with a complex tessellation that busies the surface with a dizzying and beautiful pattern.
With both styles of mosaic, however, the duality of the medium is a primary feature. The mosaics are assembled to make a whole picture, whether it is a pattern for an entire floor or a representation of a battle scene within specific borders. As the mosaic comes together the image reveals itself to the viewer, but the building blocks of the mosaic, the separate tiles from which it is constructed, remain visible and an integral part of the work.
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Unlike paint, for example, the materials are not a means to an end, rather they make up the final product while simultaneously standing on their own as aesthetically attractive entities to be noticed and appreciated. Although the tiles work together to reveal the final scene, each tile is also trying to outshine the other and be noticed in the piece. This is also why natural stones, infinitely different and individual, have been and continue to be the prime mosaic building material.
Presently, mosaics have once again become a decorating favorite. Although unlike throughout history, mosaic makers are viewed more as craftspeople than artists. This could be because there is more technology available to help the artisans, or anyone interested in the practice, construct accurate mosaics from formulas or images. Some contribute its altered status as a consequence of a more widespread and available form of creativity, relatively affordable and relatively available as a design element or hobby. Ancient Greek mosaics were also prevalent in all parts of society, yet the general trend of mosaics has been to appear in more lavish, elite settings like palaces and ornamented churches.
